
Chapter 3 - A Journey into Darkness
In the great Chamber were the forces of Darkness were
gathering, Dierdre, Queen of Air and Darkness, paused, then turned her
terrible eyes to her loyal servant, Kalaran.
"It moves," she said. She laid a cold and clammy hand over
her heart.
"I feel it. Still, it rested. Not it moves again ... seeking, searching
for a way to destroy us."
"We will not allow it. The one who wields it must be destroyed
... and those who know his secrets too. Your cousins ... Thomas, Arathorn,
Christophe.
"Already I feel them on the Great Stairs. Take what troops you
want ... and delay them ... destroy them ... "
~~~~~~~~~~
They were climbing steadily on long, stone stairs, worn
down with ancient treads. Now it appeared they had reached a long low
gallery, lit by flickering torches. The walls on either side were of
solid rock. At the end of the gallery, the stairs started to descend
again, this time twisting in a spiral.
Arathorn turned to Christophe with a slightly puzzled frown.
"We go =down= again?"
"No, we sit and enjoy a light snack of frankincense and myrrh,"
said Christophe sharply. "Yes we go down! Unless you want to invite
whatever abominations are camping below up here."
After adjusting his sword belt, Christophe lashed out and snatched at
one of the few remaining miniscules that still hovered near his head.
He pressed his closed fist close to his mouth and spoke into it in a
slow, clear voice.
"Command. Five five. Execute!"
Opening his hand, the tiny mote of light sputtered twice, then went
dark.
"Come on, come on," urged Christophe, closing his fist again
and shaking it up and down. "Bloody self-winding springs. . ."
Then he opened his fist again and a much more spry-looking miniscule
now leapt up from his hand - straight up - buzzed efficiently twice,
then zoomed off back along the path the three men had just come down.
"We'll see what that does for us. Now, let's have a look at these
torches. I doubt that there's anyone who tends them. . .must be all
dweommery or some rubbish like that."
Christophe then makes a close inspection of one of the torches in the
wall.
From far below, in the darkness, there was a thick and oily chuckle.
"Lovely," sniffed Christophe. "Simply. . .lovely."
A low long hissing sound can be heard, then the flutter of bat wings
emerging from the darkness below.
Three creatures made of solidified darkness suddenly explode upward
moving at the occupants of the landing. Dragonets clawing and hissing
a foul stench of darkness and decay!
Thomas' sabre emerged from its scabbard in a single fluid motion. He
remained upright, sword-arm extended, tip of the blade at eye height,
waiting motionlessly for one of the creatures to come within range.
Christophe drew his rapier with a smooth shuuuuuuush! as he plucked
a torch from a sconce to his left.
"Why can't these things ever have a fresh, minty scent?" he
grunted as he jammed the torch in the face on the first attacker, shuffle-stepping
backward so as not to be side-flanked by the other two.
"Doubtless so we won't be tempted into eating them," responded
Arathorn dryly, reaching for a second torch.
"Can I suggest we evolve some form of primitive strategy here?"
he suggested, sweeping the flame around to force back a second dragonet.
"Or would you prefer to simply go on jabbing at them until they
expire from ennui?"
"But this strategy works so well for Martel," grimaced Christophe.
"I thought I would give it a go. . .ennui is quite debilitating,
you know."
"There are three of us, and they show a laudable desire to attack
without teamwork in what is a fairly low ceilinged gallery. If you and
I, Christophe, drive them forwards on either side with the torches,
Thomas can finish them off with his sabre.
"What do you think?"
"I think. . .why not."
With that he lunges forward, swinging his torch for greatest effect
in an attempt to drive the creatures forward as Arathorn suggested.
Thomas nodded, bending his knees ever so slightly and extending his
left hand outward for balance. "Very well." The tip of his
sabre dropped momentarily as he tested the blade's balance, then rose
again as Thomas waited, absolutely still, for his precisely chosen moment
of action to arrive.
The dragonets moved almost as Thomas predicted, though at the last second
of their attack, they exhaled a killing frost from their jaws. The blast
of icy air extinguished the torch that Christophe held and blistered
Arathorn's left cheek stinging his flesh. Though all three dragons where
now scant feet away from the Amber trio.
Arathorn jerked his head back with a curse, and for a second, his torch
wavered.
"Manners!" hollered Christophe as the tip of his sword made
an intricate pattern in the air around the head of the dragonet who
blew out his torch. When he had finished, the dragonet's head fell to
the ground, cuts above its eyes and cheeks lending it a strangely comic
appearance.
Then he used the mass of his extinguished torch to slam down on the
body of the dragonet to his left.
The second creature dodged aside ... his breath erupting with the hiss
of an outraged steam engine ... but this was a plume of ice aimed at
Christophe - who ducked ... but was left with a frosting of ice on top
of his head and tingling tips to his ears.
But even as the dragonet hovered to direct this attack, Thomas moved
forward and skewered it against the ceiling of the cave, even as Arathorn,
recovering his equilibrium, swung the blazing torch full at the belly
of the third. The creature shrieked horribly ... and exploded in little
gobbets of red meat that blackened slowly and then liquefied to drip
down the walls like black oil.
Where it touched the bodies of the other slain dragonets, their bodies
too began to decay to the same black oil with appalling rapidity ...
and then pool together on the gallery floor. And then, as if it had
a mind of its own, the pool began to flow away from them and down the
spiral staircase at the far end of the gallery, from whence the creatures
had come.
Thomas watched, fascinated, as the oily stain on the tip of his sabre
flowed away to join the retreating puddle. As it vanished down the stair,
he stared after it as if he could pierce the darkness by will alone.
Arathorn sighed. "I really am reluctant to say this," he murmured,
"but I have a feeling that those stairs will lead us to the heart
of Darkness we've been bidden to seek."
"Good idea," nodded Christophe, who had sheathed his sword
and was vigorously rubbing his ears and cheek to restore warmth to them.
"Permit me a moment to take two more torches. . .then let us go
see what form of unpleasantness awaits."
"I suspect you're right, Arathorn," Thomas added unnecessarily.
"We should each have a torch...and perhaps each of us should carry
one of the acorns as well, in case any one of us is...delayed."
"Actually, I think that you had best keep all three," Christophe
replies, softly. "You are the most. . .hardy. . .of us all, I fear,
and besides, they will expect us to distribute them. AS it is, I may
be able to leap into the heart of things, drawing their attention away
to afford you a chance to strike with your. . .nuts."
He smiled weakly then gripped the wooden handles of the torches and
crept forward slowly.
"My boys, this does not feel good," he whispered. "Stay
wary, now. . . whatever is down here may strike at any time. . ."
Thomas nodded as if not trusting himself to speak, his face glimmering
palely in the wan torchlight.
Christophe looked up and around, trying with all his ability to see
through the gloom that surrounded them, attempting to pick up some sign
of what they faced, a hint of the enemy that lay coiled. . .somewhere.
Thomas, sabre in one hand and torch in the other, at first stared into
the blackness as avidly as Christophe. After a few moments, though,
he half-closed his eyes and tilted his head back, trying to somehow
feel the source of the evil which they could not yet see.
Somewhere ... deep in the darkness, there was a rustle of dry scales.
And then ... a sound ... like the long slow inhale of breath ...
And then ... to their right ... another ....
and somewhere behind them ... another ...
As though long forgotten monsters of nightmare were rousing themselves
from their sleep.
"Thomas," hissed Christophe. "Maybe. . .this would be
a good time. . . for you to discover a use for that Jewel in your chest?
Could you perhaps. . .smite them with fire, or turn them into small
birds?"
His head jerked to the side at another sign of stirring, then he quickly
turned to face Thomas again. His face was a strange mix of fear and
excitement.
"Really. You could try. Trying is a good idea. Better than being
eaten by something for a mid-afternoon snack."
Thomas shook his head, though the gesture was visible only as a brief
flicker of torchlight off his pale face. "I have had no time to
attune to the Heartstone. I fear it will do us no good at the moment.
Better that we rely on steel and fire, I think."
"And if that doesn't work. . .try the jewel," Christophe says,
flatly.
"Humor me."
The Amberites see black lightning sliding along the floor from all directions
and toward the three of them. As each suddenly realizes that what he
faces is a winged serpent of darkness, some twenty feet in length, the
creatures burrow into the solid stone floor, only to errupt out of the
Amberites' very own shadows.
Thomas is bittem on the torso as the serpent coils around him, knocking
him off balance!
Christophe drops a torch as the serpent on him strikes his arm, and
coils like death around his body.
Reflexively, he swats at the serpent with the burning end of the torch,
and hollers, "Where are those damn miniscules!"
Arathorn knows that no serpent alive can move that fast! Even so the
creature latches onto the prince's calf and coils up his very body,
bringing Arathorn to his knees.
For an instant, all three hear the low chuckling of a dark-clad figure
ahead of them. And as it's white haired form disappears into the darkness,
constricting scales press the lungs of Amber's heroes, and their blood
is slowly being sucked into black fangs!
For once, Thomas is grateful for his mechanical body; while the powerful
coils of the serpent constrain his movement, he does not rely on lungs
for breath, and his "blood," while important, is less critical
to his survival -- and hopefully less nutritious to the serpents --
than that of any other Amberite.
Moving his sword arm slowly but inexorably, Thomas strives to place
the point of his sabre in some vulnerable spot on the serpent pinning
him - eye, jaw, throat, whatever he can reach -- and apply slow but
constant pressure in a powerful thrust.
"Perhaps I. . .failed to mention. . ." stammers Christophe,
doing his best to bludgeon the snake on him with the torch, "That
I. . .am not overly. . .fond of snakes?"
Then above the sounds of ths struggle, even above the sound of the chuckling
dark clad figure, a buzzing sound can be heard.
It grows louder. . .suddenly louder. . .
Then a glow is visible behind them. . .growing suddenly brighter. .
.
. . .as a swarm of tiny lights pour into the chamber. . .hundreds. .
.
thousands of them. . .
"COMMAND!" Christophe yells, struggling to stay on his feet.
"NINE NINE! EX...EXECUTE!"
The seething swarm of tiny lights spreads out, filling the room with
a soft green light. . .
. . .then a flash!
. . .and another!
Like tiny stars giving up their last breath in a fiery explosion, so
do the miniscules self destruct, one at a time, sending a hard flare
of sodium light throughout the room, a piercing, coruscating volley
of light that manages to bathe the entire chamber.
"We don't have much time!" says Christophe. "Maybe. .
.a minute, maybe more. . ."
Dazzled by the blinding light, the creatures recoil with shrill screams
of pain ... while Arathorn and Thomas, who were almost as unprepared,
lay on with blows of their swords. All three struggle to freedom ...
at the far end of the gallery, where the steps once more descend into
darkness.
"Command! Nine seven! Execute!"
The remaining miniscules, their numbers sorely diminished, gather in
a tight ball of glittering light before they settle into Christophe's
waiting hand.
The light fades, revealing a small sphere seemingly made up of a lattice
of still-smaller spheres, tiny crystalline wings folded away.
"There was someone here," says Arathorn. "Someone ...
controlling them. White-haired ...
"Shall we descend in pursuit? Or return to the libra ... "
He looks back along the gallery towards the library stairs ... and in
the darkness, the gleam of serpent eyes approaching is all too visible.
"What say you, cousins?" he asks.
"Onward," grunts Christophe as he slides the ball into a pouch
on his belt. "Before it can regroup."
"Agreed," Thomas nods. "We've little enough time, let
us make the most of it." Suiting word to deed, he begins a cautious
but steady descent.
Arathorn beckons Christophe forward, deeming it advisable to place the
one who bears the means of making that terrifying light in the middle.
Also he is aware that Christophe has had little chance to recover from
his injuries in Anglia.
The way leads down ... and the staircase is a corkscrew. What makes
it worse is that it swiftly becomes apparent that the staircase is constructed
around a marble pillar, with smooth, steep, marble steps - highly polished.
The staircase is perhaps two feet wide ... And there is no railing -
nothing to stop someone who slips pitching off the stairs and to the
distant ground, perhaps two hundred feet below.
It quickly becomes apparent that the safest way to descend is with your
back thrust hard against the marble pillar and shuffling sideways. And
this serves to make you feel very vulnerable to attack ...
Thomas's mechanical body does seem to possess an almost preternatural
sense of balance, but his low boots offer no better traction than his
cousins', so he finds himself utilizing the same slow, awkward mode
of descent.
"Christophe," he says wryly, "I don't suppose those minuscules
of yours could manufacture a very long ladder, eh? Or, for that matter,
enough rope to bind us to the pillar?"
"I would not put any faith in such a rope, old boy," Christophe
said. "But we might be able to employ them as a sort of. . .moving
barrier, perhaps. They might keep whatever this vile liquor is at bay
long enough for us to descend to the bottom. Or perhaps your auld mum
might come and lend us some help by freezing this stuff on the spot."
Realizing the coarseness of his words, Christophe managed to spare a
hand to reach up and gently pat Thomas on the shoulder.
"No offense meant, of course."
Thomas holds Christophe's gaze for a moment. "Of course,"
he says simply.
Arathorn, at the rear, is aware of it first ...
The black oil that composed the hawks and the serpents ... dripping
down the stairs ... and rapidly catching up with them.
But the others realize swiftly enough ...
"I only have enough miniscules for a few seconds relief,"
Christophe mutters. With each step he takes he winces. "When the
time comes to plant our treasures. . .well, let us husband our limited
resources."
He looks up to peer out into the yawning dark.
"Perhaps. . .we might imagine that the walls of this crypt are
festooned with papier mache bas relief sculptures of dwarfs and eagles
and drums and images of. . .of Arthur," he says, his voice trailing
off to a whisper. "That would help make our current situation a
bit more cheery, I think."
"On second thought, perhaps a dam or gutter would be more in order,"
says Thomas. "Arathorn, have you any way to divert the flow of
the oil? I doubt that we can keep it from rejoining its source, but
I would prefer that we not make the stairs any slicker than they already
are."
Arathorn twists his head to try to shoot Thomas a pained look.
"You want me to hold back oil? With a sword? On marble steps?"
he says.
"The sword may not be the best tool, Arathorn, but you're in the
best position to judge," Thomas replies laconically. "Improvise."
"Perhaps. . .if we fashioned a sort of rope of our cloaks, joining
the first and last of us together around the center pillar?" Christophe
offered, weakly. "Then by drawing the cord tight, we might be afforded
the chance to move more quickly?"
Arathorn slides his cloak off.
"Try it," he says briefly to Christophe. "And if we can
recover those miniscules and use them again, a temporary barrier to
hold back the flood of oil sounds an excellent idea. But I would not
buy speed here at the expense of losing their light later ... "
Christophe pulls the latticework sphere of quiescent miniscules from
his pocket and shakes it, producing a dim blue light.
"Command. . .hmm. . .seven eight. Execute!"
The sphere breaks apart as the individual miniscules take flight, forming
up behind Thomas; rather than explode, as they did in the chamber above,
the miniscules seem to be brightening and dimming in sequence, which
produces more light than normal, but not the same sharp flares of brightness
as before.
"That's ... odd," Arathorn adds - for in the process of handing
it over to Christophe, the cloak has changed shape ... has acquired
sleeves and is, indeed, very much closer to the frockcoat that constitutes
formal wear in certain Shadows rather like Anglia ...
"Actually, old man, you should fling it around the center column;
Thomas can grab it on its way around, perhaps. The miniscules should
buy you some time. . .and the tightening of the cloak should let us
move a little more quickly."
Arathorn directs the pained look at Christophe this time, but acts
as he suggests, throwing one sleeve of the coat to Thomas.
Thomas reaches around the central pillar to grab the extended sleeve,
though it takes a try or two. Gripping the sleeve tightly, he hesitates
a moment before sheathing his sabre and reaching his other hand back
toward Christophe. "If we can join hands, we'll have a complete
circle around the column, which should let us increase our speed. How
close is the oil, Arathorn?"
"Close enough," returns Arathorn. The miniscules seems to
be slowing it down though ... "
With the aid of the coat, progress is a little smoother. Perhaps too
smooth ... it is very easy to feel giddy as they descend the next hundred
feet of spiral staircase. Arathorn, conscious of this, hopes Thomas's
mechanical construction has a stabilising effect as he - after all -
is leading ...
Christophe manages to blurt something, and the miniscules seem to do
a better job of catching up.
The last hundred feet to go - and there comes to them, distantly, the
noise of battle. But a battle of beasts it seems - the air is rent with
the sound of squeals and roars and whinnyings, the calls of fierce wild
birds ... and the occasional human cry.
Once they get to the bottom, Christophe recalls the miniscules and sets
them to hover above his head.
"I hope that stair survives whatever trouble we're about to cause,"
he says. "Because that, my boys, was actually quite amusing."
With a smile he shakes first Thomas', then Arathorn's hand.
"Let's plant some acorns, shall we, and quickly."
They are standing in a long dark corridor, only dimly lit by the obedient
miniscules that have acompanied them. Arathorn rests his broad shoulders
against the wall for a moment, attempting to regain his equilibrium
after the giddying descent. Then he moves forward with an oath.
"That damn oil!"
Indeed, the walls are dripping with it. It slides to their feet and
trickles away down the tunnel ... towards ...
There comes the clash of steel and the shouts of combat.
That way lies our path, I believe," Arathorn says. "And with
caution."
He draws his sword.
Christophe puts his hand on Arathorn's arm and raises his index finger
to his lips, then touches Thomas' arm.
"We have the advantage of surprise," he says, softly. "Our
mission is to plant those acorns in the heart of. . .whatever. . .lies
beyond. I propose that we go quietly, with as much stealth as we can
muster, and use the cover of battle to our benefit. It might be best
to consolidate our efforts behind Thomas. . .as he is the 'man of hours',
and the avatar of the new Pattern, it seems approprate that he be the
one to strike the blow. We, old boy," he smiles, squeezing Arathorn's
arm, shall cover him."
With a nod of his head, he motions that they should continue.
Thomas nods. "Fair enough," he murmurs. "Let us move
ahead and see what we shall see."
Arathorn moves forward, close to the edge ... but trying to avoid contact
with the black oil. The tunnel dips ... then bends. Arathorn
sighes and presses close to the wall, signalling the other two to wait,
then disappears round the corner.
For three minutes they wait ... and then he returns.
"The tunnel opens out," he says briefly. "A vast cavern
- deep in Kolvir, I suspect. But our tunnel ends about twenty feet above
the floor. There's a rough stait down ... no spiral, thank the Unicorn!
... hewn from the basalt. A branch of the stair leads up to a platform
... there are three people there - I could only see the tops of their
heads. But in the body of the cavern ... there's a fight going on ...
and that I cannot explain. You must see it for yourselves ...
"What is more important for our purposes ... in the centre of the
cavern is a tree ... and the roots of that, I suspect, are our goal."
"I suspect you're correct," Thomas nods. "How far away
is the battle from the tree? If it's not too close, and you two can
keep the three on the stairs away from me, I should be able to plant
the acorns quickly enough."
"The battle appears to be moving closer as the one side ... our
relatives ... move closer. Despite the opposition of ... our relatives.
And, it appeared to me, ourselves."
"You do really need to come and see this," he adds, and a
certain bemusement, even fear, is present in his voice.
Christophe seems quite pleased by Arathorn's scouting report.
"Excellent! Perhaps then our first order of business should be
to blind the creatures on the higher platform with the miniscules, then
make our way as quickly as possible to the tree. . .my hope is that
we can confuse them into thinking that they are being attacked by others,
drawing their attention away from our true intentions."
~~~~~~~~~~
Onlookers? There are the three on the platform, Martin,
Kalaran and the Dark Deirdre herself.
And another three. Standing at the entrance to a tunnel some twenty
feet above the heads of the aforementioned Darke trio, accessible by
a rough-hewn staircase, have appeared the figures of Thomas, Arathorn
and Christophe, the three of them with blades drawn.
At the same time that the three Amberites appear on the balcony, a sudden
FLASH of bright blueish light suffuses the balcony where Martin, Kalaran
and Dark Deirdre stand. The light ripples, bursts following one upon
the next like fireworks exploding, save that there is no concurrent
echo of thunder, merely a staccato ricochet of grinding metal.
The light is dazzling and the evil trio are blinded ...
So to, momentarily, are the forces of Amber in the cavern. But they
recover quickly - in about five seconds.
Not so their Darke opponents. This light seems to affect them more powerfully
than the torch that Merlin used. One and all they cringe back, and black
blood seeps from around their silver disked eyes. But they are soon
moving back into the attack once more.
Using the briliance of the blinding light, Arathorn, Thomas and Christophe
run pellmell down the stairs, past the blinded Darke Trio
and to the floor of the Cavern. Once there, they race toward the tree.
Recovering her sight around the same point that the three Amberites
gain the cavern floor, the Darke Deirdre gives a hiss of pure rage.
"Stop them!" she orders the Darke Kalaran and Martin. Then
she turns aside, and a dark swirling mist envelopes her.
Thomas' pace momentarily slows as his eyes meet those of the Darke Deirdre
above. A face once known and loved, then thought lost forever, has now
reappeared before him, twisted though its nature may be. His feet seem
to drag for a moment as he looks up at his mother's dopplegänger,
searching her monochrome eyes for any sign of recognition. But then...
"No stopping now, *thank you*," hollers Christophe, flourishing
his sword as the three men scramble forward, occasionally weaving and
shifting direction slightly so as to confuse the aim of anyone with
a missile weapon. "Look sharp, old boys, we seem to have annoyed
her nibs!"
Christophe's shouts seem to have snapped Thomas back to reality, and
he looks resolutely forward and resumes his dash towards the base of
the mighty tree.
"Wonderful," sighs Arathorn. "And there was me thinking
she'd be overjoyed to see her long lost son."
"You must have been quite naughty," Christophe replies. "Let
us hope she prefers to spare the rod and spoil the child instead, hmm?"
Thomas adds nothing to this repartee; his face is sombre and his jaw
tightly set.
"Thomas, just getting you =to= the tree will be enough, I trust?"
demands Arathorn. "Or do you have strong feelings about it needing
to be done on the south-facing side of the trunk, or something awkward
like that? Let me warn you, now is not the moment to develop green fingers.
It would make you appear too much at home."
"At the moment," Thomas replies, "I know no more than
you about the precise placement of the seeds. If I should get any more
specific clues, I shall try to let you know, but I can make no guaran--"
He cuts off his words suddenly, as...
Kalaran leaps up on top of the stone balustrade and jumps straight down,
as his black and tattered cloak flares out nicely, he drops the fifteen
or twenty feet to the bottom. He lands with his darke sword drawn to
confront Christophe. Landing between him and the tree. He laughs with
sharp fanged teeth as a darke dragonet flies at Christophe's head.
Dodging to one side and ducking low, Thomas darts around Christophe
without slowing his pace, leaving Bleys' son to deal with the dragonet.
A few swift paces bring him near the dark form of Kalaran, and he hesitates
not at all before planting his feet, left leg forward, and lunging at
his unnatural foe, thrusting forward with both arms at once. Thomas'
left hand holds a blazing torch, shoved directly at Kalaran's face;
his right contains a sturdy cavalry sabre, aimed just below where Kalaran's
sternum should end. Not knowing which will prove more harmful to this
tool of the Darke, Thomas hopes at least that the glare and heat of
the torch-flame will make it difficult for Kalaran to see (and defend
against) the exact trajectory of his sabre thrust.
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